These days, CSPAN/public affairs channel broadcasting gov proceedings is a neverending nerve-racking horror show I have to keep up with bated breath, so my drama spa has to be extraordinary painless, escapism is more essential as ever. Like those last cans of chicken noodle soup the 5th or infinite day of being miserably under the weather, I am heaping my drama plate with billowing fluffs.
Nam Goong Min is a devilishly good looking man, just never my cuppa typecast in caricature baddies, part is he has never inhabited a character stoking my fancy, then there is his acting I could nitpick as too aware and forced…and somehow he orbits into Beautiful GongShim then this role, where the cheeky winking aware of smartass selfserving game he is playing under the bummy covering shields that little burning fire of chivalry, his OTT habits translating to how he slips into the character’s harmless heart of tarnished gold under the masterful slickness, no one takes him more seriously than should, works wonders for the character.
Kim Jackiechan throws me back to the nostalgic days of StephenChow punking TVB characters with his signature snarky humor. I couldn’t help rawring in silly giggle fits at the loud slapstick comedy, then there is the feel good comfort of a group of little nobodies against the evil establishment in baby steps of win. I can reside in these folks, root and cheer for them to beat the big bad wolves，who only look scary but are hilariously ignorant, thus harmlessly gratifying watching along. The office politicking is wacky and far from brilliant, which works for me as I can lapse into not worrying much about the frustration of our lil guys beaten down, like watching Tom and Jerry going at the same old in the cartoon. NGM manages to balance this manga-ish lil thug with nuances new for me from him, so believably earnest and lively than when he tried too hard in his past at conventional characters. It gives me life, to hear myself bursting out chuckling at his character alone. I like Nam SangMi, she is pleasant to my eyes and a decent actress. And what a difference it makes for a newbie like JunHo to be in a role he adores, bouncing off actors who are solid but not too intimidating he could sync with and relax, having fun and let the jitters settle. I counted him out after Memory, while he is nowhere near amazing here, improvement is still a sweet thing.
Tokyo Tarareba Girls
This reads almost unbearable (even for me) in shoujo trappings , that is, it will offend many grown levelheaded human sensibilities, yet OTOH it is being brutally honest: we can’t deny agism, misogyny is rampant and even victims feed the vicious cycle passively.
Once in a while a sharp scathing line will cut in being too darn truthful, and what grounds the nonsense is the frankness: any or all of the three guy matching up our trio of 30yo single and desperate girlfriends should cover the attractiveness spectrum for most, but their overwhelming flaws, such deal breaking turnoffs, are also spit out in the next screen after the shoujo dreamy filter and music is done.
Kentaro is very arresting, but being a prick spewing rude judgments he has no place to say stops even me from going for my droolzbucket…yet what the dude was saying is annoyingly not untrue. Of course behavior is explained by he has a super angsty past, but still, an acting job well done when I am in heroine’s every beat aggravated wanting to bite his pretty blond head off.
Yuriko Yoshitaka can never bug me, a naturally gifted actress, a treat to have the versatile actress doing her seamless magic in a shoujo heroine cliche feeling inadequate at 3-0 without a guy or a career in life unattractive (that face yeah right <_<) and the gorgeous actress is blossoming to an even more understated beautiful lady with every work. Doramaland is where I keep up with my fashion chic and lust over immaculate makeup mastery, and I want everything, they are my aesthetics. And who would’ve guessed a typical shoujo has the best CGIs?
To spoil a little, while it tried my patience tolerating blatantly douchy male characters first few eps the ladies are pining after, that simple scene where Yuriko’s Rinko finally giving Kentaro’s Key an rebuttal not too grand but speaking her mind rightfully, of how simply her friendship with her gfs has been her lifesaver, her only source of happiness these years without which she would be existing like a hollow shell of shattered dreams.
‘ WTH?! There is nothing more I want to do in life than to spend every minute with my girls!’
‘No matter how much we desperately want to, we could never be who we were, younger, with not a worry in our world’
This drama has little new to preach, fresh is these ladies are cognizant, storytelling balances out the cheesy with some poignancy, being just gumdrops of sugar-coated muted reality supplements, not that easy to swallow but it strikes a hum in me. I watch it for the good looking decent actors, specifically Yuriko, and I love watching actor reunions from works I liked, icing on a cake remembering another fond experience whenever her hubby in Hanako and Anne is on screen with her. I watch it for its comfy predictability knowing how absurd for these characters to fall in love at the moment to that inadequate person, is almost guaranteed an explosive dose of sickening sweetness at the fluffy happily ever after later.
Kimi wa Petto
I know I have lost my mind in desperation when I click play. This premise is so beyond me outrageous: heroine picks up a much younger guy and keeps him as a pet.
Judging glasses off, this is well acted and they are tenderly lovingly cute hugging smooching each other. It is not like they are not processing the craziness but the soothing intimacy must feels soo good physically no matter. I need this comfort losing myself in witnessing fictional characters having a break from their ‘reality’ just hugging and making out. Who needs brain or sense?!
Guy2, the first love, Yutaka lookalike and I am defenseless.
4 min pmping and see for yourself: http://www.bilibili.com/video/av8483976/
Legend of Condor Hero
This is a decent all around production, not perfect but spot-on pleasant. There is very little crude green screens, CGIs r nothing impressive, but not sticking out obtrusive; I like shooting on location, it is now a merit when pasture looks exactly as it should lesigh, on top of many of the young actors are dancers competent in the intricate wuxia sequences. While the OTP is the source of grumbles from fans, I choose to give them a clean slate and they stay true enough authentic to the characters. I never find them unbearable, what they are lacking in charisma, or acting technicality, this has a who’s who cast of supporting veterans in cameos exceeding my expectation in perfection.
I think she is cute and a normal pretty girl, not everyone is a ZhouXun, just wished they could use 1/10 of the makeup on her, she moves beautifully and it is obvious to me neat work is dedicated to choreograph her wuxia matching well with character’s mastery on pages.
GuoJing just needs to look pleasant a normal almost forgettable looking boy who is not exactly handsome with a strong build growing up in the Mongolian tundra, by me. 杨旭文/William Yang is 188cm tall with a fresh boyish face, and his advantage is exactly being a newbie, with very little acting habits honed and at times looking naturally lost and slow and clueless without trying (when a finer looking HuGe was often too noticeable acting dumb)…ie exactly GuoJing
They are cute.
The YangKang (陈星旭) has been acting since 3yo, OuYangKe (刘智扬) was versatile, unrecognizable from role to role in worthy dramas like Ferryman, 我们的法兰西岁月/Nos Annees Francaises and now the sleazy scum.
He is an amusing baddie to watch and cathartic to curse at.
and when there is such intricate care building characters each with unique wuxia befitting dance styles, I cheer.
Our Eastern Heretic, aka if your overprotective dad is a genius Renaissance man of a bamf
Then there are my biases 赵立新 ZhaoLixin (a PD ZhangLi’s regular), Michael Miu above, HanDong, our most beautiful Prince 9 from BuBuJingXin is way too young and pretty for the most righteous honorable reigning wuxia master of all sects, yet he might’ve done his best emoting to date in the minute he shows face, worthy of endless looping.
When I saw Forrest Gump in theater, this was the story that crept up while engrossed in the Hollywood uplifting fairytale. This story of the unlikely young hero serves also the side of an intriguing anti-hero in Yang Kang, we ponder how wrong twists of fate, meddling of adults, understandable human weakness could rot a promising young life into doom… a very tiny soft spot we will treasure, reserved for that dashing young boy of could’ve. What I find refreshing is also how the many versions of the original novel is decisively incorporated, there are artistic liberties taken but none too nonsensical, the characters enjoy more cohesiveness than at times even the writing of Louis Cha himself with his bewildering rewrites. The doormat NianChi, tragically falling for the wrong guy at least can keep a spine of honor and chivalry in this adapt longer than most, the most precious worth in this imaginary world. I have read and watched adapts of this story many dozens of times now and this ease of mind when I could see the respect the original deserves in a heartfelt homage is surprisingly precious.
I am fine taking in imperfections, it might never be memorable a stand-alone drama, but to labor over every aspect decently and be steadily watchable a 20 ep of exposition atvm is commendable these days when C idolperiod adapts have been notoriously more shameless in producing scriptless worthless idol vehicles of no quality other than inserting as many household names, exposing how aggravatingly overrated this generation of young stars mostly are.
I adore this fan teaser: http://www.bilibili.com/video/av8321896/
Then there are the nuanced exquisite period aesthetics to genuinely serve the character and storytelling I could watch a drama for, especially after all the I’d rather enucleating eyes out than settling with the awful styling oversaturated coloring in vogue in lesser productions last decade+:
I will watch a WanQian cut of Glory Of Tang Dynasty as soon as there is one. This is probably a watchable, decently acted, scripted drama on its own if not being too nitpicking but just to spoil and warn: whatever ship you want here, it’s gonna tank in swamps of devastated tears. But I love her: